The Shaw Brothers marathon begins at long last. This 1966
entry was something of a revelation in how it kept on bringing a series of
surprises as the narrative evolved. There is always something thrilling and
fascinating about a movie that defies ones expectations and gives an audience
something other than what was anticipated. Truth be told, there were not any
legitimate expectations seeing as how Come
Drink With Me was one of the very first Shaw Brothers films the author ever
saw. Still, King Hu’s efforts in putting an interesting twist on specific
characters and narrative elements did not go unnoticed. Not everything in movies
which willingly choose to play things differently can fit together, and while Come Drink With Me does experience some
slight turbulence at times, the end result made for a memorable 90 minutes.
Set some time ago (the period is unspecified) a party of men
transporting a general’s son across the mountainous countryside is ambushed by
a hoard of gangsters, who at first pose themselves rather peacefully, but
demonstrate their more aggressive tendencies once the party refuses to hand
over the general’s son. The purpose of the hostage takeover rests with the
current detention of the gang’s leader, the latter whom is captive by the
general in question. It is only a matter time before the general’s daughter and cunning warrior,
code name Golden Swallow (Chang Pei-pei) is given the mandate to find her
brother and return him safely. As the saying goes, one does not negotiate with terrorists.
These are not just any ordinary gangsters though. With vile creatures such as
Smiling Tiger (Li Yun-Chung) and Sleek
Face (Chang Hung Lit) acting as interim decision makers, Golden Swallow has her
work cut out for her. Thankfully she is assisted by the eccentric Drunk Cat
(Hua Yueh), a man who seems to enjoy spending his time guiding a chorus of
young children than actually fighting, but his martial arts talents are greater
than Golden Swallow or any of her closest enemies imagine...
Come Drink With Me
is a film that clearly has ambition. It wants to play the game by its own
rules, with characters that are at times weird yet very much at home in a world
filled with code named warriors, martial arts masters masquerading as poor
drunks and bandits who give themselves names the likes of Smiling Tiger and
Sleek Face. Almost everybody the viewer encounters is fun to watch act out
their role in the story as the movie zips along. King Hu, one of the more
prominent and highly regarded directors to have worked within the Shaw Brothers
studio system, weaves a tale in which appearances are continuously deceiving
the audience, as well as the others characters inhabiting the world of the
film. First and foremost, there is Golden Swallow, whom the audience does now
know to be a woman at first. There is an early scene after the general’s son is
kidnapped when the hoodlums weigh their options regarding a prisoner exchange. It
appears as if the gangsters themselves are unaware of Swallow’s real sex, so
the surprise catches both them and the audience when the revelation occurs. Additionally,
unlike a film reviewed here not so long ago (An Empress and the Warriors), this
film actually stick to its guns and makes its leading female character
important and cool all the way through. Then there are the chief villains,
Smiling Tiger and Sleek Face. The former masks his ill intentions and soul with
kind, warm looks while conversing with the enemy. The latter, with his
chalk-white face and soft mannerisms, comes across as quite gentle. For more
reasons than one, Sleek Face resembled a Chinese Joker, and the comparison is
probably not far off all things considered. Both however are cold-blooded
killers and when the time is right, neither hesitates to dispatch a foe. The
full force of Drunk Cat’s powers are not revealed until very late in the film
when, just in case the movie was lacking in surprises, his elder brother (and
member of the same league of warriors) makes an appearance and demonstrates his
own supernatural skills. Keeping things fresh with a host of characters who
earn their place thanks to oddball contradictions is a large reason why Hu’s
film is so successful.
Having unique individuals is one thing, but there needs to
be some good chemistry among the cast members, as is the case with Cheng
Pei-pei and Yueh Hua. Each puts their own stamp on their roles, with Golden
Swallow being the straight-woman next to Drunk Cat’s more fun loving nature. For lack of a better sentence, they simply
make a very fun team, despite that the early goings are less than harmonious. Seeing
the manner in which their partnership developed, I was amazed at how
their story arc was similar to the ones found in the ever popular genre of ‘buddy
cop’ flicks. In such films the two principle characters never enjoy each other’s
company at first and must slowly but surely learn to work together in order to
achieve their ultimate goals. Come Drink
With Me does not exactly follow that pattern since Drunk Cat does willingly
assist Golden Swallow in some subtle ways early on, but hald of the equation
just right, since the leading lady cannot stand her male counterpart’s annoying
antics. Of course, once he reveals exactly who he is, all can be forgiven and
the two work like the most dynamic of duos, like in so many buddy cop adventures.
Another aspect to the film that impressed as well as
surprised was the level of intensity found in the action. Hu and the
screenwriters may have not have all that keen on spending too much time on plot
because they keep things rather simple and effective most of the way through
(the one hiccup perhaps being the inclusion of Drunk Cat’s brother so late in
the narrative, which unfortunately and suddenly takes the focus away from Golden
Swallow). When it comes to action however, they really ramp things up a few
notches. It feels as though there is some sort of fight sequence at least once
every 10 minutes. Some are smaller and more intimate, while others are
sprawling and last a long time, like the knife and sword fight opposing Swallow
and Sleek Face, as well as dozens of his goons, in and outside of a temple. The
choreography is sharp, and the actors move with a dangerous cocktail of grace
and power. The preparation for these scenes must have been exhaustive given
their elaborate and sophisticated nature. The intensity mentioned above
pertains to the type of violence shown at times. There are some characters who
really get it good in Come Drink With Me,
including a small boy who receives a poisonous dart in the eye no less,
courtesy of non other than Sleek Face. Gushes of blood as swords are plunged
into men’s chests, spears piercing chests, the filmmakers are unafraid of
showing some nasty deaths. On a surface level, such a quality may not appeal to
some for it can appear gratuitous. A little bit of hard action and violence can
give a film that extra lift in needs to exemplify the danger each character is
in at all times. I would not go so far as to say that no holds are barred, but Come Drink With Me definitely has some
scenes which are pretty violent.
Come Drink With Me
made for a fantastic start to this marathon, so much so that it can
be strongly recommended for anyone wishing to discover some Shaw Brothers
movies for the first time. A great female lead, and fun partner, memorable
villains and some awesome action are just about everything a martial arts movie
fan ask for to get excited.
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